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John Nickinson's New York City Google map 1837-1850 Charles Dickens Edgar Allan Poe
John Nickinson and his first wife Mary Anne Talbot Nickinson had five children – daughters Charlotte (1832-1910), Eliza (1834-1917), Virginia (1838-1899), Isabella (1847-1906) and son John Jr. (1844-1916),. Charlotte and Eliza were born in Quebec, while John was still in the British army in Canada, and Virginia was born in Albany shortly after he left the army to become an actor. John Jr and Isabella were born in New York City.
After Albany (1836-37) the family came to New York, where John Nickinson played at the Franklin and Park Theatres, then to William Mitchell's Olympic from 1841-1850, until it closed abruptly. While the Nickinsons were in New York City they spent winters there and summers on tour in Canada. John Nickinson's later success in Toronto seems due to his contacts, particularly with James Wallack, and knowledge of theatre in New York. He produced plays which had recently been seen there, invited friends and colleagues to perform in Toronto and brought a new level of sophistication to Toronto dramatics.
William
Mitchell's Olympic Theatre 422 Broadway 1837-1854 
William Mitchell as Crummles
Palmo's later Chamber's Wikimedia |
Niblo's Garden 1828
Niblo's Theatre
Astor
Opera House 1850
Flomian -
The Temple of Momus: Mitchell's Olympic Theatre by David Rinear, gives a good idea of the New York City the Nickinsons knew on their arrival. "several smaller playhouses opened and closed in the city with dazzling rapidity during the 1820s and 1830s, but by the autumn of 1837 the only theatres which were operating on a continuing basis during the winter months were the Park, Bowery, National, the much smaller and even less significant Franklin, and the soon-to-be opened Olympic." Summer theater began in 1828 when restauranteur William Niblo established Niblo's Garden and by the late 1830s built a permanent theatre (but did not become a year round company for many years.) The Olympic was half the size of the Park, Bowery and National. The building was based on Madame Vestris' Olympic in London, and programs there as well "The entertainment will consist of the lighter varieties of the drama, combined with opera, vaudeville, and ballet, as at Madame Vestris' London Olympic." "While the fashionable members of New York society were making the Olympic dress circle and boxes a place in which to be seen, the opposite end of the socioeconomic spectrum was busily making the pit their particular province. ..Mitchell's pit became the favorite haunt for the newsboys butcherboys and apprentices known collectively to that day and age as the "b'hoys".... The better class of people went to the Park and the rude mechanicals and "riff-raff" attended the Bowery. But everyone went to the Olympic."...John Nickinson joined the Olympic in the fall of 1841 "and rapidly became a favorite".
Between 1836 and 1842 the annual number of Irish immigrants increased from 12,645 to 51,542... This piqued curiosity about Ireland and all things Irish, providing a favorable environment in which Tyrone Power and others established an audience. But Power drowned in 1841 and George Mossop, a minor comedian specializing in Irishmen left the Olympic after the first season. However John Nickinson "expressed a desire to learn the business of Irish characters and Mitchell encouraged him to work on several of the standard Irish vehicles. Nickinson appeared in his first Irish piece The Happy Man on 10 January 1842 and proved to be extremely popular in this, appearing in it twenty times during that season... Yet Nickinson was not exclusively or even primarily a specialist, he was called upon to play support to Mitchell in other farces, extravaganzas and burlesques more often than he played his newly developed line of business.
Mitchell's greatest success of the [1842] season was a burlesque of Richard III entitled Richard #3 a conflict over who was to be the new driver of omnibus #3. Mitchell played Richard eventually the omnibus driver, while John Nickinson played Henry King "an old omnibus driver" and Richard's predecessor. This play ran for twenty nine consecutive evenings. The next attraction was Cinderella with a duet sung by Edwin and Nickinson which was "loudly encored, Nickinson "lost the key sang in one different from that which was played by the orchestra." The audience found this hilarious, and even the hapless Nickinson finally gave up and joined in the general laughter. The Albion's critic found the incident, "a good joke -- for once-- but it must not be repeated." Although the critic was inclined to forgive Nickinson's vocal mistake, he found some of the contents of the new extravaganza in questionable taste. ...and the offended critic grudgingly admitted, "We may truly consider the piece a decided hit." David Rinear, Temple of Momus
Video of staged reading of John Wilkes Booth's Richard III in 2016 https://boothiebarn.com/2016/02/02/tonight-john-wilkes-booths-richard-iii/ 2018
Charles Walcot, whose son Charles Jr was to marry Isabella Nickinson, joined Mitchell's Olympic in September 1842. In 1843 Jan 23-Feb 7 John Nickinson was in Beauty and the Beast: Comic Operatic and Melo-dramatic Fairy Extravaganza at Mitchell's Olympic Theatre, with Charles Walcottplaying the Beast, and Mrs. Mossop (later Mrs John Drew and mother=-in-law of Maurice Barrymore) as Marygolda. Women Writers Dramatized 2000 https://books.google.com/books?id=3n1msu2y1WgC&dq=inauthor:%22H.+Philip+Bolton%22&source=gbs_navlinks_s
MacBeth Travetie by WK
Northall was first produced at New York's Olympic Theatre with John Nickinson as
First Witch Oct 16, 1843 and William Mitchell as MacBeth and Mrs Booth as Lady
MacBeth. Script with stage business, cast of characters, relative
positions, etc.
https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t4sj1k366;view=1up;seq=14
John Nickinson and Walcott-- "two
of Mitchell's most popular and useful actors: left the Olympic in 1847. John
Nickinson went to the Park theatre. The Park burned on 16 Dec 1848 but John
Nickinson had rejoined the Olympic in September 1848.
John
Nickinson's greatest part was Havresac in
Boucicault's The Old Guard, which he acted from 1848-52 in the Olympic Theatre, New
York.
He
and Charlotte (playing Melanie to his Havresack) toured in this for three years.
Described in Joseph
Norton Ireland's Records of the New York Stage from 1750-1860 (vol.
II June 24 1846) Niblo's
Garden --
The first time the interesting and exciting drama entitled Napoleon's
Old Guard ...
It was triumphantly successful and continued being played nightly ... The
Vauxhall Garden Saloon was opened on the first of June 1846 with Mr. BA Baker as
stage manager and Henry Chapman, Nickinson, Miss [Charlotte]
Nickinson [and
others] as performers...The youthful and pretty Miss Nickinson made her first
appearance as Rose in "Cousin Lambkin" and Clarissa in "Bothered Between 'Em".
She was exceedingly neat and clever in juvenile walking ladies and a year or two
later was warmly applauded as the representative of Florence Dombey at Burton's
Theatre. Charlotte Nickinson joined the Olympic in 1846"although Miss
Nickinson was but a teenager and had no professional experience, she rapidly
became one of the Olympic audiences' favorite performers."
John Nickinson Castle Garden June 1848 George Holland manager, Charlotte also in
company June 1846 Vauxhall Gardens "an unusually brilliant
company". Nickinson played Alderman Lollipop in Cinderella March 7 1842.
Dombey in Dombey and Sons at Burtons 1848 August 16 and Charlotte
Nickinson as Florence. Sept 1850 John and Charlotte Nickinson in the
company of the Astor Place Opera House. Planche's admirable interlude
"Lavater the Physiognomist was played for the first time in new York on the 8th
of May. Lavater was one of Nickinson's favorite parts, but his personation has
since been surpassed in excellence by Mr. Walcott and Mr. C Mathew
One source says John Nickinson's last appearance in New York was in May 1862 at Laura Keene's Ireland's History of the New York Stage says he appeared for the first time in ten years as Havresack with Isabella Nickinson playing Melanie, and he played Spurrit in The Post Boy in June. Charles Peters and Owen and Virginia Nickinson Marlowe were in Laura Keene's company that season. But I have a playbill (a gift from Effingham Dolman) in which he was playing in Harlem Aug. 20 1862 in The Soldier's Return;' Or an Unwarrantable Intrusion as Old Potter, with Owen Marlowe, singing St. Patrick's Birth--day and concluding with the farce of Box, Cox, and Knox; or The Printer and the Hatter as Box with Marlowe as Cox. Marlowe and Isabella Nickinson were also in the Household Fairy! as Julian De Clifford and Katharine.
Did John Nickinson Drink with Edgar Allan Poe?
A reminiscent article of peculiar interest, written by one who knew Poe
intimately in his latter days, appeared in the New York Times, in 1888
[Memories of Edgar A. Poe, Fordham still treasures his odd old cottage, Aug. 12,
1888] “Poe had his offs and ons, declares this chronicler. “He was not a steady
drinker. Appreciation was his thirst. Often he found it in the society of
intellectual women, who visited himself and wife in the city. Ordinarily grave
and silent among them he could be chatty and witty. Craving excitement apart
from his labor, he sought the companionship of his guild downtown, and he found
that, too, in a little store in Nassau Street, between Ann and Beekman,
where gathered a few elevated literary minds, reinforced by a sprinkling of
actors like Peter Cunningham, John Brougham, Oliver Raymond, Tom Johnston and
John Nickinson It was not
a dramshop,
but it dispensed various kinds of nervine, and it had facilities for adding
emphasis to what ‘the Governor of North Carolina once said to the Governor of
South Carolina.’ Clara Dargan Maclean, “Some Memorials of
Edgar Allan Poe,” Frank
Leslie’s Popular Monthly, April 1891, vol.
XXXI, no. 4, pp. 457-464
http://www.eapoe.org/papers/misc1851/18910401.htm
IT’S a long time between drinks!” Everybody knows that’s what the governor of
North Carolina said to the governor of South Carolina. But who knows, for sure,
which governor said it, to whom it was addressed, or when and where and under
what circumstances it was uttered?
Cambridge Sentinel, Volume XXXIII, Number 23, 4 June 1938
Poe in 1830s and 1840s New York
https://ephemeralnewyork.wordpress.com/2017/10/23/edgar-allan-poe-on-new-yorks-inevitable-doom/
Poe on the Upper West Side 1844
https://ephemeralnewyork.wordpress.com/2016/05/23/a-rocky-west-side-knoll-inspires-edgar-allan-poe/
Poe and High Bridge
http://highbridgeparkdevelopment.blogspot.com/2013/01/edgar-allan-poe-walking-high-bridge.html
Where did the Nickinson's live in New York?
Nickinson
John comedian 42 Hamersley The
New York City Directory ...,
Volume 2 (Google
eBook) C.R.
Rode, late Doggett & Rode., 1843 - New
York (N.Y.) [Hammersley
is [now West Houston St.]
http://forgotten-ny.com/1999/09/greenwich-village-necrology/
Longworth's American Almanac, New York Register, and
City Directory ... (Google
eBook) T.
Longworth & Son., 1841
https://books.google.com/books?id=kjREAQAAMAAJ&vq=nickinson&source=gbs_navlinks_s
also
also lists John Nickinson as
living at 42 Hammersley
Later city directories list John Nickinson as living at
5 Crosby St in Soho. . (1845, 1846, 1848)
97 Crosby Street is about four blocks away from 5 Crosby.
http://daytoninmanhattan.blogspot.com/2018/03/edward-judsons-1895-97-crosby-street.html
In the 1840s the block of Crosby Street between Prince and Spring Street was
still upscale. Commodious brick houses built in the 1820's and '30's were still
occupied by well-to-do families....But the respectability of the neighborhood
would erode by the time of the Civil War.
John Nickinson and Mary Anne Talbot Nickinson legally separated in March 1855 in Toronto, because "unhappy differences have arisen and do still subsist". Mrs Nickinson and Isabella seem to have gone to New York in early 1858. Mary Ann Talbot Nickinson's death March 13 1877 was reported in the New York Herald as being at the home of her daughter Mrs. C Peters. A funeral mass was celebrated at St Lawrence's Roman Catholic Church at 84th and Park avenue. A number of John Nickinson's first family's children also ended up in New York.
After Mitchell's Olympic Theatre in New York closed abruptly in 1850, John Nickinson formed his own company and with daughter Charlotte toured in Providence RI, Montreal, and Rochester and ended up in Toronto in 1851. Charlotte spent most of the rest of her life in Toronto, although Daniel Morrison worked for the New York Times and they lived in New York City briefly.
John Nickinson and Charles Dickens
Dickens wrote about New York theaters in American Notes for General
Circulation "
There are three principal
theatres. Two of them, the Park and the Bowery, are large, elegant, and
handsome buildings, and are, I grieve to write it, generally deserted. The
third, the Olympic, is a tiny show-box for vaudevilles and burlesques. It
is singularly well conducted by Mr. Mitchell, a comic actor of great quiet
humour and originality, who is well remembered and esteemed by London playgoers.
I am happy to report of this deserving gentleman, that his benches are usually
well filled, and that his theatre rings with merriment every night. I had
almost forgotten a small summer theatre, called Niblo’s, with gardens and open
air amusements attached; but I believe it is not exempt from the general
depression under which Theatrical Property, or what is humorously called by that
name, unfortunately labours.
I went to New York in October 2016 for a party at the Joseph Pulitzer Mansion on East 73rd St, at the invitation of Swarthmore friend Phil Davies, director of the Eccles Centre for American Studies at the British Library. I went the next day to the New York Public Library for the Performing Arts at Lincoln Center, and found the following newspaper clipping in great-great grandfather’s John Nickinson file.
New York Season Nov 26 1870 (newspaper unidentified)
This article was published over
six years after Nickinson’s death, and twenty years after his regular
appearances in the city. It recalls the illustrious career of John Nickinson and
how sad it is that Nickinson is buried in Cincinnati, when he had so many people
remembering him with great affection in New York.
“Nickinson spoke French well and imparted just enough of its accent to his British English in the role to give it the fullest expression of its nationality. Then too Nickinson had been a soldier and had that peculiar bearing which comes of thorough drill in a regular army. There is one other part of Nickinson’s acting that always had great fascination for me. It used to be given about Christmas time, a dramaturgy by Walcott of one of Dickens’s Christmas stories. “The Haunted Man”. Nickinson played the old father. I have never seen such extreme old age so touchingly portrayed, in words whose awe was mingled indescribably with a most human pathos pray “Lord keep my memory green”. I have heard Dickens read the story, but never felt its beauty and power so forcibly as when Nickinson uttered these words with his trembling arms, laden with the red berried holly and dark Christmas ivy. Dickens read it, but Nickinson looked as the one who thought it.” A.R.C. [Am trying to identify who this was]
John Nickinson (1808-1864) died at 57 so he had limited experience of extreme
old age.
Actor Charles M. Walcott is credited as the author of the play The Haunted Man.
His son Charles Melton Walcott Jr married Isabella Nickinson in 1863. John
Nickinson and Charles Walcott played together at the Olympic Theatre in New York
in 1842 and in Toronto in 1852.
Charles Dickens, The Haunted Man and the Ghost’s Bargain, 1848 https://en.wikipedia.org/…/The_Haunted_Man_and_the_Ghost's_…
full text https://archive.org/stream/hauntedmanthegho00dickuoft…
Bibliography Charles Dickens
Dickens, Charles American notes for General Circulation, 1842
https://www.gutenberg.org/files/675/675-h/675-h.htm
Dickens, Charles Dombey and Son
https://www.gutenberg.org/files/821/821-h/821-h.htm Haven't found a
script for John Brougham's version of Dombey acted by John and Charlotte
Nickinson.
Charles Walcott also produced a less successful version.
Dickens, Charles Haunted Man
https://archive.org/stream/hauntedmanthegho00dickuoft
"Dickens in
America" BBC DVDs have actress and Dickens enthusiast Miriam Margoyles retracing the
1842 trip
https://en.wikipedia.org/wiki/Dickens_in_America
Sections on New England, New York, Canada and Cincinnati.
John Nickinson's children also lived in New York as adults
Owen Marlowe, who married Virginia Nickinson, was with Laura Keene in New York 1861-1862, and in 1863-1867 with Mrs. John Drew's company in Philadelphia. in 1868 he was in San Francisco under the management of John McCullough. In June 1870 five Marlowes were living in New York, according to that year's census -- Owen, Virginia, Jesse, Ethel and Virginia. By June 1871 Owen Marlowe was back in San Francisco, and by January 1872 Virginia Marlowe was appearing there in plays with him. However by July 1873 Owen Marlowe was given a farewell benefit with a rosewood cane given by the Bohemian Club and went east by steamer through Panama. No mention in the newspapers when Virginia returned east. By Sept 1984 Owen Marlowe was appearing in Brooklyn in London Assurance. In 1874 he visited his family in England for the first time in 20 years, and in 1875 appeared in New York as Phileas Fogg in Around the World in Eighty Days, in "18 spectacular scenes:...from his London club room through the Suez into the interior of a Hindoo bungalow ...[leading] up to a "startling pyre" and a Grand Funeral Pageant." [Bordman, Gerald: American Musical Theatre: A Chronicle 2010]. In March 1876 he was appearing in Chelsea Massachusetts in Our Boys and died in May at Mass General Hospital of consumption. He died penniless and was buried in Forest Hills Cemetery, Boston. Virginia was appearing in Toronto at her sister Charlotte Morrison's Grand Opera House as the boy Paul in The Octoroon.
Their daughter Ethel Marlowe died in 1898, suddenly of heart trouble, at the Knickerbocker Theatre, in the third act of The Christian. Virginia's New York Clipper obituary (Mar. 18, 1899) reported that she had retired from the stage "at the time of her daughter's sudden death" and had since made her home with the married daughter, at whose house she died.
A 1905 article in Donohoe's magazine interviewed Mrs. Charles Peters [Eliza Nickinson] and said she had become a Catholic under the instruction of Jesuit Father Damen, while living in Yorkville New York. She went back to acting after the death of her husband and played a New England widow and Irishwoman in the 1870s and played similar roles in Boucicault's Shaughraun, various roles in the Irish village at the St, Louis World's Fair and the part of the Widow McNally in the Sunshine of Paradise Alley was written for her. She talks about going to the old St. Patricks School on Mulberry St .but when the sisters learned that the girls were the daughters of an actor they were promptly sent home. http://books.google.com/books?id=qgjZAAAAMAAJ&vq=nickinson&dq=eliza+nickinson+peters&source=gbs_navlinks_s
Mary Ann Talbot Nickinson died at Mrs. Peter''s house in New York in March 1877.
Son John Nickinson Jr. (c. 1844-Feb 1916) according to a brief New York Times (Feb. 15, 1916) obituary, was "for many years managing clerk at the grocery division of the Appraiser's Stores" and died suddenly at work at 72, leaving a daughter in Toronto. He had entered the Customs Service in 1881. An 1886 New York City Directory listed him as a clerk with an address at 221 East 81st. St.
John Nickinson Jr. seems to have been involved with
theatrical publishing.
Project Gutenberg Punchinello project notes that
applications for advertising should be addressed to John Nickinson, Room No. 4,
No. 83 Nassau St. N. Y. [between John and Fulton St. according to Google Maps
t.]
Punchinello Vol. 1. No. 3 http://www.fullbooks.com/Punchinello-Vol-1-No-3-April-16-1870.html
Vol. 1 No. 7 http://www.fullbooks.com/Punchinello-Vol-1-No-7-May-14-1870.html
Vol. 1 No. 19http://www.gutenberg.org/dirs/1/0/0/1/10015/10015-h/10015-h.htm
Vol. 2 No. 32http://www.gutenberg.org/dirs/1/0/1/0/10104/10104-h/10104-h.htm
Isabella Nickinson's last appearance in Toronto seems to have been on Jan. 11, 1858 at the Royal Lyceum in The Wife, playing Florabella.
She appeared on the stage in New York at Laura Keene's Theatre in May 1862 as Melanie to John Nickinson's Havresack. She married the actor Charles Melton Walcott Jr. (1840-1921) in 1863 in New York and played with him at the Walnut Street Theatre in Philadelphia. They then joined Daniel Frohmans' company in New York and appeared at the Lyceum Theatre from 1887-1899. Until her death they almost always played together. History of the American Stage Isabella was part of Laura Keene's company in 1862 and in November appeared as Uria in Blondette or the Naughty Prince and the Pretty Peasant. In April 1863 she was Pennie Durgan in Bantry Bay or Ireland in 1798 with Charles Peters as Phadrig. in 1894 she appeared in Henry Arthur Jones' Case of the Rebellious Susan and in 1895 in Oscar Wilde's An Ideal Husband.
Blanche Whiffen (the original Buttercup of HMS Pinafore) writes in her autobiography of being friends with Isabella Walcot. "Once, when we were rehearing [David Belasco Henry DeMille's] "The Charity Ball," Mrs. Walcottand I, thinking we had time enough, went out to seek some lunch while a scene just before outs was being rehearsed. As luck would have it, our scene was called while we were away, and when we came back, Mr. Belasco was very angry and called us down, ending up with: "And from now on you won't go out to lunch at all. You'll stay in the theatre and eat beans and drink water!" Mrs. Walcot, being a braver soul than I , spoke up pertly:" "All right, Mr. Belasco! I'll bring the beans if you bring the water!" And she did bring a pot of Boston baked beans the next morning, Mr. Belasco took the joke and helped us eat the beans, bringing us a large dipper of water. Mrs. Thomas Whiffen, Keeping off the Shelf, New York EP Dutton & Co, 1928 The Charity Ball opened Nov 1, 1889 at the Lyceum Theatre and also had Herbert Kelcey, WJ LeMoyne, and Charles Walcottin the cast, closing the season on May 26 1890 after 200 performances, according to the History of the New York Stage.
Players of the Present, John Bouvé Clapp, 1899 has several paragraphs on
Isabella Nickinson Walcottand her career and a photo.
http://books.google.com/books?id=QhsPAAAAIAAJ&dq=nickinson&q=nickinson#v=snippet&q=nickinson&f=false
Both Walcotts were in the Booth brothers production of
Julius Caesar with Edwin as Brutus, Junius Brutus as Cassius, John
Wilks as Mark Antony, and Charles Walcottas Octavius and Isabella as Calphurnia.
After the Winter Garden Theater burned the Walcotts went to the Walnut St Theatre
in Philadelphia for about 12 years, and joined Daniel Frohman's stock company
in 1887.
Walcott is
noted (in Durham)as a member of the Madison
Square Company in
1884-1885, where EJ Phillips had been since 1877. His father was also an
actor, "an eccentric comedian and writer of burlesques" who had been at
Mitchell's Olympic Theatre with John Nickinson. The son "sported a
moustache and always wore the jovial expression of a genial English squire."
Dictionary of American Biography
Isabella Walcott's NY Times obituary (June 4, 1906)
refers to her "memorable run of 100 nights at the Old Winter Garden in Broadway,
opposite Bond Street, [where] she played Ophelia to [Edwin]
Booth's Hamlet"
and says that she was "for forty years a familiar and loved figure on the
stage." She died at her home 200 West 101st St., three months after a stroke at
their country home in Rhinebeck. Her last stage engagement had been with Annie
Russell.
Her NY Dramatic Mirror obituary June 9 1906 says she was born in New York City
Oct 7 1847. Her "earliest recorded appearance was as Melanie in Napoleon's Old
Guard, her father acting the part of Havresack.
Under the able direction of Laura Keene she received a thorough old fashioned
training, playing leading juvenile characters in the Keene company."
More on Virginia, Eliza and Isabella's roles available in A history of the
Thomas Allston Brown's New York Stage Volume 2 1851-1901
http://books.google.com/books?id=mJEXAAAAYAAJ&dq=nickinson+fanchon&source=gbs_navlinks_s
Ireland's
Records of the New York Stage 1750-1860 has a number of references to
John and Charlotte Nickinson
http://books.google.com/books?id=C6INAAAAQAAJ&vq=nickinson&source=gbs_navlinks_s
Bibliography
Rinear, David, Stage, Page Scandals and Vandals: William E Burton and 19th
century American Theatre, Southern Illinois Univ Press, 2004
https://www.amazon.com/Stage-Page-Scandals-Vandals-Nineteenth-Century/dp/0809325721
Rinear, David, The Temple of Momus: Mitchell's Olympic Theater, Scarecrow Press,
1987
New York City Mayors 2010 has a list of New York Theaters
https://books.google.com/books?id=mNe7Sph7lJ8C&dq=new+york+city+chatham+st+1837&source=gbs_navlinks_s
Demolished New York Theaters
http://www.musicals101.com/bwaypast.htm
Timeline New York City 19th century
https://en.wikipedia.org/wiki/Timeline_of_New_York_City#19th_century
The population of New York City from the June 1840 census was 312,710. The US
population had increased by 32.7% from the 1830 census. By the 1850 census
New York's population was 515,547.
Last revised August 24, 2020
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